My posts and articles about Sony related Gear, Including the Sony A7 Series, The Sony A6000, and the Sony Nex-7
A while ago I attempted my first “blog” style video, where I filmed myself shooting street photography and editing the results. I’ve done another similar video and in this one I spent some time shooting with the Sony A6000 using adapted lenses. I used two different lenses on this shoot: an old Nikon 105mm f2/2.8 macro lens, and a Canon 17-40 f/4 L wide angle lens. I started in a local park shooting some flowers and then did a little bit of street photography too.
I recently watched a video on YouTube where the use of a SonyA6000 was discussed as a low cost entry into shooting video. In the video they acquired an A6000 second hand for a very reasonable price, and it got me thinking that this makes a really good entry level camera for street photography. I have kept a lot of my old cameras over the years, and it got me thinking as to what else would work well too. So after doing a bit of research, here are my two suggestions.
A few weeks ago, I was up and out early into the city to shoot some things for my Streets of Dublin project, and while I was there I ended up shooting a lot of street photography too. What was funny though was that, as it was early in the morning, people were heading to work and the mood was quite different from how it is later in the day. For a start everyone was walking with haste and with a real sense of purpose.
Despite being widely rumoured, Sony still managed to make quite a splash when they announced the new A9 earlier this week. The new high end camera looks like it could be a genuine game changer for mirrorless cameras, and could cement Sony’s place at the number 2 spot, if not push it to number 1. I have been using Sony cameras on and off for the past few years, and I was eagerly waiting to see what this new high end alpha might entail. The camera is exciting in and of itself, but whats more exciting is Sony’s approach to the camera market. Let me explain.
The other day I posted a possible work around for an annoying Lightroom bug that had been frustrating me. When working with Sony ARW files, when you move from one image to another in the develop module, it can sometimes take seconds (sometimes 10 or more) before moving the sliders have any effect. The not really a solution, solution, that I offered was to wait till the Auto button enabled before trying to edit. Well, after a bit more research, I think I’ve found the source of this issue.
This is a tip that I shouldn’t have to write. There has been some serious performance issues in the last few versions of Lightroom. It seems worse for raw files from some cameras rather than others, but the issue seems reasonably widespread. While getting extremely frustrated at this bug the other day, I noticed something that may save you tearing your hair out.
I’ve talked a lot about using Capture One Pro for processing Fuji Files here on this blog, but I also use it when working with other cameras too. In particular, I find that it does a really nice job when working with files from Sony cameras. In the past I’ve used it with both a Sony A7II (Which I had borrowed), and my own Sony A6000.
I was reading a blog post from Brian Smith the other day and he was asking people for what they wanted from Sony in terms of lenses. I thought it was an interesting post, and it got me thinking of other things that I would like to see from Sony to improve the company’s camera offerings. Sony has really pushed the envelope with their camera designs over the last few years, but in my opinion, there’s quite still a few areas that could do with some improvement. So, in no particular order, here’s my Sony wish list. Feel free to add your own suggestions in the comments.
When the rumours of the new Sony A6500 surfaced a few days before it was announced, I have to say, I was a little skeptical. I really didn’t think Sony would release another camera in the range so soon after the A6300 but I was happy to be proven wrong. The newly announced A6500 is a step above the 6300 and pretty much addresses all the criticism of the 63000 which is also still fairly new
I was walking through a nearby forested park the other day, and I caught an interesting sequence of images. There is a large lake in the middle of the park and there’s always lots of ducks and seagulls there. At this time of the year it’s especially beautiful, as the autumn colours on the leaves give the waters of the lake a patchwork of green and gold.
Continuing on from my post the other day, I’ve done some more shooting with my borrowed Sony A7II using some of my Canon lenses. This time, I was back out in the city of Dublin. I wanted to do something a little different, and so I used my 17-40f4L Canon lens to get some cityscape shots.
I recently had the opportunity to borrow a friend’s Sony A7II and I was keen to try some Canon lenses on it via a Metabones adaptor. I had borrowed the camera off him before, but that was using an older firmware. Since then Sony has added the same autofocus update for adapted lenses via a firmware upgrade (v.2 I think) from the A7RII and A7SII, and I wanted to see how good it was. I had read lots of reports about the performance on the A7RII, but not many on the upgraded A7II, and I was really pleasantly surprised by the results.
Trees bathed in a patch of light as they grow on the side of the mountain. Glendalough National Park, Co. Wicklow, Ireland
It may seem like a simple thing, but getting the correct white balance can have a significant impact on the overall look of an image. Often you may hear people complaining about the colours of a particular camera, and that they don’t like the colours that a specific brand of camera might produce. It is a common misconception that this has to do with the design of the sensor. In many cases much of what is perceived as differences in a camera’s ability to capture colours may be partly due to the way a camera’s white balance is calibrated.
I’m very pleased to announce, that after a very long time in production, my newest guide is now available. this e-book guide is called “Processing Sony A6000 Raw files in Lightroom: A Workflow and settings guide”. While that’s probably a bit of a mouthful, it pretty much sums up what this new guide is about. In the same way that I have previously written guides for Fuji X-Series shooters, this guide is designed specifically for Sony A6000 shooters who want to get the best from their camera when processing their images in Lightroom.
My next eBook guide is almost ready to go. I’ve been working on this for what seems like forever, and it’s now in the final stages of production. I wanted to do something similar to my previous Fuji X-Series guides, but for the Sony A6000. I’ve written a lot about the A6000 over the past few years and its a great little camera.
In my previous article on using a custom calibration for the Sony A6000 in Lightroom, I mentioned that it can also be helpful to tweak the in-camera white balance defaults. A few people have asked me what I mean by this, so I've decided to do a very short tutorial on how to do it (it's not very complicated.)
When I wrote my extended review of the A6000, I was pretty scathing about the Sony 35mm f/ 1.8 OSS lens. In the article I wrote that it was one of my least favourite lenses and that it had some terrible chromatic aberration. Recently, I was going through some older images in y library, including some I’d shot with the Sony 35mm and as I went through them I realised that I may have been a bit hard on it. So I started shooting some more images with it, and I now realise that I was possibly wrong in my assessment of it, so here’s a second look at the 35mm lens.
It seems to have been a long time since Apple has released a Raw compatibility update for OS X and I was beginning to get a bit worried, but just as I was about to start investigating the issue, a new update has just popped up in the Software Update panel of OS X.