I’ve written a few times now about using Iridient’s X-Transfomer to pre-process Fuji X-Trans files for use in Lightroom. As I have previously mentioned, there are lots of different combinations of settings that you can use, all of which will give you differing results. In my previous post, I thought that I had found the best combination, which was to apply a low level of sharpening in both X-Transformer and Lightroom, but since then, after more experimenting, I’ve come up with a different way of using it.

Now that Iridient X-Transformer has been out on the Mac for a little while I’ve had a chance to play around with it for a bit. After lots of testing and trying various combinations, I’ve come up with what I believe is the best approach to take if you prefer natural looking images. In this post, I’ll outline the settings that I’m now using and some other tips for using the software. As always, I based these on my preferences, and so, you may prefer a different approach. However, if you’re looking for somewhere to start, then have a look, try the recommendations, and judge for yourself.

I wanted to wrap up the street photography video series I’ve been sharing over the past few days with one final post, where you can see the finished images. These are some of the actual images the I edited in the second part of the video, as well as a few more that I didn’t cover. 

In this video, which is a follow on from my street photography vlog video, I discuss editing the shoot. I take you through the whole process from import, through rating and then processing the images to final output. I try to discuss why I like certain images, and why some things work and others don’t.

A while ago I wrote about Iridient’s new product, X-Transformer. It was only available for Windows at the time. I don’t have access to a Windows computer, but I did try it under parallels at the time, and I was impressed with the results. However, because it was just too clunky to work with under emulation, I didn’t do too much with it, as a mac version was promised.

For a while now there’s been something that I’ve been meaning to try in Capture One that I’ve never gotten around to, and that is to find some colour profiles for Fuji cameras. Unlike Lightroom, Capture One doesn’t include colour profiles for the Fuji film simulation modes. However, it does have a comprehensive colour matching engine, and many people have posted their own matching profiles. 

Since OnOne released their Raw software late last year, the company has been putting out major updates at a fairly regular schedule. A significant release was announced yesterday, and as part of it, the list of features included improved X-Trans support. In previous versions, the raw conversion of Fuji X-Trans files was extremely poor. I covered it in a recent post, and I pointed out the severe artifacts. So has it improved?

A while ago I released a set of Free Lightroom presets for Fuji users based on my own “variations’ of the Fuji Film simulation presets, or more specifically, the corresponding colour profile in Lightroom. Well, I’m pleased to announce that the follow up to that first set is now available. 

I was recently working on a photo of Dublin’s famous Ha’Penny bridge that I had taken with my X-Pro 2 and an idea came to me. I was processing the image in Lightroom, and I wanted to see what it would look like in different converters. As I’ve written so much about it, and as I had an image that I was working on for a real world project, I thought that while I was at it, I should try a whole bunch of different converters and see what kind of results I got.

I’m really proud of how well my T-Pan set of Lightroom presets turned out. I’m not just saying that as a shameless plug. I set about creating something that would work well to emulate black and white film, and I think the results work really well. I’m sure it’s not perfect. It’s not a full simulation as such, but rather an artistic interpretation, but I think it comes close. To see just how close I decided to do a little experiment

Today was a busy day for Fuji as it launched three new cameras and a whole series of lenses. The biggest headline grabber will of course be the new medium format Fuji GXF. While fuji Announced the development of this camera back at Photokina, today was the official launch, with a release date and price set. Fuji also announced the release of the X100F, the latest version of their original X-Series camera, and the X-T20. I’m not really a “news” site, so for full coverage, I’ll send you to the excellent roundup over on Fuji Rumours. Below is some select bits and pieces that I’ve found particularly interesting.

When Capture One 10 was announced just before Christmas, I was very excited by the initial results that I saw with X-Pro 2 files, but I’ve realised now that my enthusiasm may have been over-rated. Since that time, I’ve been trying to lock down some base settings to use as the basis for some recommendations for my guide and to be honest I’ve had difficulty coming up with results that work for everything. It’s been a process of discovery, and I've learned some interesting things along the way. I’ve come up with some experimental settings, and I wanted to put them out there for people to try. 

The creator of Iridient Developer has just released a public beta of a new product. It’s the company’s first Windows application, but it’s not a full version of Iridient Developer. Instead, it’s something that I think is even more interesting. He’s created a DNG Converter specifically for Fuji X-Trans files. 

One of my photographic new year's resolutions is to take a more project-based approach to my photography this year, rather than the somewhat haphazard approach I took in 2016. With that in mind, the first idea that I came up with was to shoot the first sunrise of the new year.

Last weekend here in Dublin, there was a special Christmas edition of the monthly Dublin flea market, and I went along with my camera (of course) to check it out. It wasn’t exactly a typical Christmas market, more of a special extra large version of the normal market for Christmas.