I wrote a post yesterday outlining some of the Jpeg settings that I use on a regular basis when shooting with my X-E1. While I mainly use Raw, I generally shoot Raw + Jpeg. Anyway, I wanted to experiment, and shoot specifically within the range of settings that I specified and limit myself to using the Jpeg files, and so I headed into a nearby park yesterday to take some pictures.

When I was writing my epic three part Sony A6000 review, for whatever reason I left out any mention of the two best lenses that I have for the system. They are the Sigma 30mm and 19mm e-mount lenses. I’m not really sure how I managed to forget about these when I was writing the piece, but anyway, I’m making up for it now by writing this mini-review of the two lenses.

I recently read an interesting post on Medium about the advantages of side projects. In the case of the article I read, it was talking about web development, but it occurred to me that the same thing can be true of photography. Depending on your business model, a side project could actually be quite beneficial to you.

On this blog, I've covered the settings and techniques I use for processing Fuji raw files quite a bit, but I've never really discussed the settings that I use in-camera for use with Jpeg images. While I mostly use the Raw files, I do occasionally use Jpegs straight from the camera. Over the years I've been using my X-E1, I've chopped and changed the setup that I use quite a bit, but here are the settings that I currently use.

I recently wrote a post about some features that I'd love to see in an upcoming version of Apple's Photos for the Mac. I also have some ideas on photographer friendly features that I'd like to see on iOS at some point. Some of these I've wanted for a while and written about before, so I'm not so optimistic, but these are features I'd really like to see in iOS at some point. I've tried to keep these ideas to things that would be reasonable to implement, or in-keeping with what one could expect at the operating system level.

I had stated when I launched Coffee Tones for Lightroom last month, that it was my intent to launch a new set of Lightroom presets every month this year. Well, it was getting close, but it looks like I made it with a few days to spare! I’m happy to announce today, that my newest set, MonoLux for Lightroom is now available.

A sneak peek at my upcoming set of monochrome Lightroom Presets, MonoLux. MonoLux will be one of my new smaller packs, like Coffee Tones. I have a number of different looks and variations in the pack including some faded looks (which you can see examples of below), and also some special effects (Just for fun). 

One of the biggest complaints that users of Sony’s Aps-c format E-mount cameras such as the A6000 have is the lack of good, inexpensive prime lenses. In my recent long term review of the A6000 I made this point, and I wished for an equivalent to Fuji’s excellent 35mm f/1.4. In fact, the lack of a good fast native prime for the format has been a real issue. Fortunately Sigma has just addressed that gap in the lineup with the launch of the new 30mm f/1.4mm prime lens for e-mount (and m43).

Sigma today announced a very interesting new product. The inspiringly named MC-11 is a lens mount adaptor designed specifically to adapt Sigma's lenses for use on Sony e-mount systems. It comes in either canon EF or Sigma SA versions for use with corresponding sigma lenses.

One of the key features announced when Lightroom CC 2015.4 was released, was the new boundary wrap function in the merge panorama feature. Boundary wrap solves one of the problems with cylindrical panoramas, where the edges are normally distorted and need to be cropped out. It also addresses some of the distortion in cylindrical panoramas. 

I shoot a good few panoramas now and then, and since Lightroom has added the merge function directly into the software, it's gotten a lot easier. So much so, that I don't even really think about it any more when shooting them. While traditional panoramas are fine, there's another incidence where the function comes in handy, and that's when you want to shoot wider than you otherwise could with the lens you have with you.

The latest update to Iridient Developer was announced yesterday and it adds partial support for Fuji X-Pro 2 files. Currently it only supports uncompressed raw files from Fuji's new camera. The update also adds some other bug fixes and improvements.

If you're running a photoblog or photography website, then you're probably already aware of the importance of properly adding descriptive text to your images. If you want to help improve how well your images and your blog is found on search engines, then properly adding alt text can make a big difference. However, if like me, you're using Squarespace as your blogging platform, then it might not be immediately obvious as to how you add this text to images. In this short post, I'll show you how to add alt text for both single image blocks and gallery blocks.

Since I posted my initial thoughts on the A6300 last week, there’s been a lot more information coming out about the upcoming camera. There are two things in particular that I missed when the announcement first came out, so I’m going to talk about them briefly now.

I decided to take my oldest DSLR out for a spin yesterday, and so I dusted off my ten year old Canon Eos 5D (the first one), charged it up and headed out to see what it was like shooting with the camera. The 5D Mark 1 still takes good pictures (in terms of Image quality) compared to today's cameras. The sensor is still pretty good at low ISO, and can hold its own compared to modern equivalents. That aspect of the camera actually holds up pretty well. However, the actual shooting experience wasn't great.