One of the questions that I get regularly from readers and viewers is: “what the difference is between Iridient X-Transformer and Iridient Developer?” If you are considering one of these for converting X-Trans files, it may be confusing for some people as to which one to choose, so here is what I hope will be a simple guide to deciding which software to use.

I’m busy working on a project at the moment, so I don’t have a lot of time to do a full write-up, but I did want to offer a few thoughts on the latest releases from Canon and Fuji. Canon launched its full-frame mirrorless system at an event in Hawaii yesterday, and today, Fuji announced the latest in its X-Series lineup, the X-T3.

A few people have been asking me for this, so I’ve finally managed to put together a bundle of my various X-Trans eBooks that deal with Lightroom. This is a three book bundle and included my original Lightroom processing guide, the X-Transformer guide and my Fuji Jpeg guide which also covers some Lightroom topics.

Many (too many) years ago, at the beginning of my career in television production, I did a government-sponsored course of film and video production. It was how I got started, and I loved every minute of it. I wouldn’t be where I was today without that course, and I’ll talk about that more at some point in the future, but there was one really important lesson I learned in the first week, which has stuck with me to this day and applies across all fields. 

After the initial hype (and the corresponding outpouring of disappointment and scorn) lots of details have begun to emerge about Nikon’s new mirrorless cameras, and there are a couple of interesting tidbits that I came across. So here are a few notes in no particular order.

Last week I launched my latest set of presets for Lightroom, called StreetLux. The idea of StreetLux was to create a set of presets that worked to mimic the high contrast film look that is popular with some street photography enthusiasts. I had posted a few samples when I launched the set, but I wanted to get some more, so I went out specifically to shoot some.

So today, Nikon finally announced the company’s new Mirrorless cameras, the Z7 and Z6. I say finally because the leaks and rumours seem to have been going on for months, not to mention Nikon’s own teasing of the new system. So now that they’re official, what do I think?

Adobe has released another round of updates to Lightroom across its various versions, and also to Camera RAW for Photoshop. Lightroom Classic features new book module updates, as well as some bug fixes, and the usual camera support.

Adobe recently introduced a new feature for the mobile version of Lightroom CC that people had been requesting for a long time, and that is the ability to use presets. What’s more, they also added preset syncing between the desktop and mobile versions of Lightroom CC. You can now use all of your Lightroom presets, and profiles on your mobile device, and the process is fairly simple. You will however need to use Lightroom CC on the desktop. You will also need a creative cloud subscription.

I recently came across a set of negatives that I took about a year ago, and I realised that I had never properly scanned them. This gave me the opportunity to record the process, something I had wanted to do for a while, but had never gotten around to it. So, in this video I show you the process of scanning film using a dedicated, if somewhat old, film scanner.

An age-old measure of the performance of many types of recording is “signal to noise ratio”. In essence, it looks at how much noise there is compared to useful signal in any given medium, whether it’s an analogue transmission or even a digital recording. There’s one thing that I’ve noticed a lot recently, and that is when people compare cameras they often look at 1:1 crops to compare the results. In particular, they use this to compare noise performance between cameras. However, when comparing cameras of different resolutions, this may not actually give you an accurate comparison. The reason for this is that when doing this you’re only looking at one part of the equation, the noise, without considering the other part: the signal. 

Today, I’m happy to announce the launch of my latest set of Lightroom Presets: StreetLUX. I got the idea for StreetLUX when I was processing my most recent set of photos from my Street Photo Diary series, and I was originally using my Monolith Presets. I wanted a high contrast look, but I wanted to create something a little more “film like” so I went back to the drawing board and came up with a new set. But I didn’t stop there and I also created a set of colour presets too, which were inspired by the “chrome” style of films from the past.

If you haven’t seen them before, a Lensball is basically a polished glass sphere. That’s pretty much all there is to it, but once you’re aware of it, you start to see them cropping up everywhere, in Instagram and other online photos. A little while ago, the company that makes them sent me one to review, and I’ve been having fun with it ever since.

In the latest episode of “Street Photo Diary,” I decided to shoot some street photography with the Nikon D700. The D700 is probably still my all time favourite camera. I love the ergonomics of it, and I love the images it produces too. While it is a big and heavy camera, and it may not seem like the first choice for shooting street photography, after a while, you don’t even notice the weight or the bulk.

It was a bank holiday weekend here in Dublin this weekend, and as is traditional at the start of August, many people were away on holidays. The result of this is that the city was unusually quiet. I had headed out to shoot an episode of my “Street Photo Diary” companion video series and while I normally complain about how busy it is, for once it was nearly too quiet.