Just a quick note to let you know about an offer our affiliate partner DXO is having at the moment. They are currently offering 25% off the NIK collection of plug-ins. I’m a little late on this though, and the offer is ending soon on the 14th September.

The giants causeway is probably one of the most famous natural attractions on the island of Ireland. Located on the northern coast of Northern Ireland, the famous landmark is a series of volcanic rocks that formed into hexagonal columns. It’s somewhere I always wanted to see in person, with the formation being featured in geography text books when I was younger, not to mention practically every tourist board promotion for the region. Finally this past weekend, I got to see it in person.

My first reaction: “Is that it?”

Many, many years ago (sigh) I did a course in Film and Video production run by the local government here in Ireland. It was only ever run once, but it was actually a great course, and I probably owe my entire career to that course. I learned so much from that and much of the experience still serves me today. But there was one class that I always remembered more than any other, and it’s an interesting story, and I wanted to share it, because I think there’s a valuable lesson in it for everyone.

It’s hard to believe that it’s August already. Here in Ireland it’s technically Autumn now, and already you can feel the change in the air. And speaking of change, you may have noticed that I haven’t been posting very regularly recently, so I want to apologise. As well as being busy with client work, I’ve also been doing some thinking and I’m hoping to make some big changes soon, on the website and in a broader sense.

DXO labs have just released an update for DXO Pure Raw 2. Version 2.1 is now fully native on Apple silicon, and leverages Apple’s M1 and M2 processors. This release also adds support for the latest Canon Eos R series of cameras, and adds some improvements to the batch processing workflow.

I’ve just published a new photo essay over on my Photo Stories blog. I had visited a nearby urban farm back in May and taken lots of photos, and I was captivated by the colour and texture that images of nature. You should check out the blog post here before you carry on. As I try to keep my Photo Stories blog relatively gear and “technical nerdy stuff” free, I wanted to talk about the technicalities of the images here.

When it comes to photography, I have a lot of differing tastes. I don’t just mean photographic genres, bur rather images that appeal to me. I like good composition and storytelling as much as the next person, but I also have an affiliation for colour and texture. And sometimes, Nature provides us with an abundance of both of these.

This is a little trick I stumbled across the other day - almost by accident. I was working on editing a photo in Lightroom, and I had made quite a few edits, but I just couldn’t get it where I wanted it. I said to myself: “I wish there was a way I could just dial all the adjustments back a little”. Then it occurred to me - there actually is a way to do that. It requires a few steps and a little roundabout thinking, but it essentially gives you a way to adjust the overall amount of your adjustments with a single slider.

Alexander Svet from the popular Capture One focussed site “Alex on Raw” has released a new book on Capture One. Titled “Capture One Hidden Features”, the book contains “200+ Pro Hints To Enhance Your Capture One Workflow”. Alex was kind enough to send me a copy to review, and also provide my readers with a 10% discount.

I this video we edit a series of Landscapes in Capture One, starting with some very simple edits and working up to more complex images. I show you both the tools to use, and also share some of my philosophy on editing landscapes.

When Capture One released the latest version (15.3) one of the key “features” was a re-designed layout of the tools and tool tabs. This seems to have been done for consistency with the iPad version of Capture One, but some people may still prefer the old layout. Luckily, you can revert to the old style arrangement of the tools, although there are still some changes. In this post, I’ll show you how to do this.

When you watch a travel show or even a YouTube video from a far off place, it’s easy to get envy for the exotic locations and fantastic scenery. It’s also easy to overlook some of the magnificent sights in your own back yard. And here in Ireland, we have a truly magnificent back yard. Ever since the pandemic hit, we’ve been travelling abroad less, and are slowly exploring more of our own country. A little while ago, we travelled through the mountains and valleys of the beautiful Connemara countryside, and I was blown away by what we saw there.

DXO Labs has just announced the release of Film Pack 6.3. This update brings new camera support, is now native on Apple M1 and has some user interface improvements.

Someone recently asked a question on my Facebook group that, I thought, was actually such a good question that I should write a whole blog post, or perhaps even a series of blog posts about. For a long time, I’ve covered just about every aspect of working with Fuji files in Lightroom Classic, but I’ve never really covered some of the techniques for the non-classic version of Lightroom. While most things are broadly similar, many operations are also slightly different or in slightly different spots, so may be confusing to beginners. So in this post, I’m going to cover some of the fundamentals: how to change the film simulation mode, how to set the film simulation mode to what you shot in-camera on import, and how to use the “enhance” function to get better quality images.

Recently, I was trying to record a tutorial on editing landscape photography. In the end, I didn’t publish it because I felt that the edits I had done weren’t dramatic enough for people to watch. In fact, I even had that criticism about some of my editing tutorials before, that the edits I was making weren’t significant enough. This led me to realise the paradox of photo editing tutorials, especially on YouTube or other socially driven platforms. Unless you’re dramatically changing the image or doing extensive edits, people will find it “boring” and not watch or complain. But the reality is, in most cases, restraint will lead to better images.