A while ago I talked about switching from PhotoShelter to PhotoDeck for image sales as the former didn’t properly support EU vat. However, since then I’ve gone back to using Photoshelter. I’m not using it for sales though. I’m using it to manage my ever growing library of images. It may seem like an odd choice, and while it’s not perfect, It’s actually working out reasonably well.

The other day I posted a possible work around for an annoying Lightroom bug that had been frustrating me. When working with Sony ARW files, when you move from one image to another in the develop module, it can sometimes take seconds (sometimes 10 or more) before moving the sliders have any effect. The not really a solution, solution, that I offered was to wait till the Auto button enabled before trying to edit. Well, after a bit more research, I think I’ve found the source of this issue.

It was a beautiful spring day in Dublin today, so I went for a walk through the park to shoot the cherry blossoms with my Fuji X-Pro 2. I also wanted to try out something new, (well, technically old), that I got, so I filmed the whole thing. I acquired an old GoPro (first generation) so I decided to do a kind of Vlog style (kind of) video and I so I set about recording my progress with a GoPro mounted on the Camera’s hot shoe.

If you’ve been a long-time reader of my blog you’ll know that I’m a bit of a stickler for image quality. A lot of what I’ve written has been about maximising image quality and how to get the best possible results. For some of you, this may seem like an obvious thing to care about, and yet, for some reason there seems to be this movement in the photography community out to demonise caring about image quality.

It seems like only a short time ago that your choices for RAW conversion software, especially for Fuji shooters was somewhat limited. Now there seems to be a new release every month, and it’s great that there is a wealth of choice out there now. The latest piece of software to come across my desk is a new version of Picktorial. This new major update to version 3.0 brings full support for Fuji files, and it’s not using the Apple engine, but the company’s own. I’ve been using a beta for a little while and I’m intrigued, especially with the Fuji conversion.

This is a tip that I shouldn’t have to write. There has been some serious performance issues in the last few versions of Lightroom. It seems worse for  raw files from some cameras rather than others, but the issue seems reasonably widespread. While getting extremely frustrated at this bug the other day, I noticed something that may save you tearing your hair out.

A long time ago, in a version of Lightroom far far away…well, ok, a previous version…there were separate controls for brightness and exposure. Since then Adobe, apparently feeling that this was too confusing for the average user, decided to roll it into a single “exposure” control. However, brightness controls still exist in other applications, and while the exposure control is probably fine 90% of the time, there are still times when you may need to use a basic “brightness” adjustment in Lightroom. 

I’ve written a few times now about using Iridient’s X-Transfomer to pre-process Fuji X-Trans files for use in Lightroom. As I have previously mentioned, there are lots of different combinations of settings that you can use, all of which will give you differing results. In my previous post, I thought that I had found the best combination, which was to apply a low level of sharpening in both X-Transformer and Lightroom, but since then, after more experimenting, I’ve come up with a different way of using it.

I’m having a special deal on some of my Lightroom Presets this week. My 2016 Collection Bundle is on sale as is my Black and White Bundle.

The other day I was sitting in the window at one of my regular Starbucks pit-stops, and I was trying to write some content for my blog, but I was struck by a bad case of writers block. I was sitting there staring out the window hoping for creativity, and then I began playing with my camera while I sipped my coffee.

A little while ago I reviewed Luminar from Macphun. At the time I pointed out some issues with the processing RAW files in the software, and Fuji files in particular. Since I wrote that the company has released a new version which addresses some of the issues, and so I thought I would take another quick look at it.

Now that Iridient X-Transformer has been out on the Mac for a little while I’ve had a chance to play around with it for a bit. After lots of testing and trying various combinations, I’ve come up with what I believe is the best approach to take if you prefer natural looking images. In this post, I’ll outline the settings that I’m now using and some other tips for using the software. As always, I based these on my preferences, and so, you may prefer a different approach. However, if you’re looking for somewhere to start, then have a look, try the recommendations, and judge for yourself.

Every year, at this time, the city of Dublin get’s a little greener. I’m not talking about some environmental initiative though. It’s not a sudden growth of trees or grass either. No, instead I’m talking about the annual build up to St. Patricks Day. Where every shop, pub and restaurant does it’s patriotic duty and adorns their premises in the requisite amount of green trappings, from Shamrocks to Leprechauns. If you didn’t know what was going on you’d think there was some kind of plastic outbreak.

For me, the Intelligent Search features in Apple’s Photos app, or what Apple refers to as “Advanced computer vision”, was one of those things that gets announced and then most people promptly forget about. However, once you actually try it, it’s actually pretty impressive, and while not perfect, it shows where the technology is going. 

I wanted to wrap up the street photography video series I’ve been sharing over the past few days with one final post, where you can see the finished images. These are some of the actual images the I edited in the second part of the video, as well as a few more that I didn’t cover.