The second episode of my new weekly YouTube series is now online on my channel. After thinking about it I've decided to call it "The PhotoGeek Show". Someone had suggested "PhotoGeek Weekly" but I know there is a good chance I won't get this out every week. Anyway, this week's episode came together nicely. I look at my collection of classic cameras, show you a nerdy Lightroom and Photoshop trick, and talk about B-Roll and Photo Books. 

If you’re using Aurora HDR to create an HDR image, but want to do more work with it than you can manage in Aurora alone, then you can send the image to Luminar. Rather than saving it as a standard file and then manually opening it in Luminar, you can actually use Aurora HDR’s built-in plug-in system to send the image directly to Luminar. 

When Adobe upgraded the preset system in Lightroom 7.3, they introduced a bug into the way the software handles gradient selective adjustments in presets. Previously, if you used a grad as part of a preset, it would maintain the correct position regardless of the image orientation. However, after 7.3, grads now rotate if you apply a preset containing a grad depending on whether the image is portrait or landscape.

A few weeks ago when I launched Alpine for Lightroom, a few people wrote to me asking for a Capture One version. After some work and experimentation, I’m happy to announce that I now have a version of Alpine for Capture One. So what is Alpine? In a nutshell, Alpine for Capture One is a set of “Styles” that is designed to give your RAW images a stylised look. The idea for Alpine was to work with images of forests and mountains, to give the “woodsman” style of effect that is popular certain outdoor magazines.

I’ve been plugging away at my YouTube channel for a while now, and I had this idea for something that I wanted to try, but it’s taken me some time to get it together. I have lots of different bits and pieces that I do, and I have a few different “series”, such as “Street Photo Diary”. Instead of all these disparate threads, I wanted to try and create one good video a week. With that in mind, here is the first episode of that new series. For the moment I’m calling it “The Photography Geek Show” although that may change. I’m open to suggestions!

Adobe today released a set of updates for the various versions of Lightroom. This includes Lightroom Classic, Lightroom CC and the various mobile versions. One of the key features in the CC version of Lightroom is something that people have been requesting for a long time, and that is the ability to sync presets across devices running Lightroom CC.

While Sony’s APS-C E-mount lineup is known for not exactly having an exciting lineup of lenses, people often forget that you can use full frame E-mount lenses on these cameras too. Having said that, many of Sony’s full-frame E-mount lenses are quite expensive and heavy or both. However, there are a few new third party lenses coming out that are designed for full frame but I can see actually working really well on cropped sensors too. One of those is the new 24mm Autofocus lens from Rokinon.

In the world of digital imaging, it's often easy to get overwhelmed by the number of images we create. I personally have hundreds of thousands of pictures, and managing them can be a real chore. It’s also very easy to import a set of images, go through them once or twice, maybe share a few and then never look at them again. I know I’m guilty of this, but It’s important to occasionally revisit your older photos. 

If you use Capture One, but find yourself tweaking the colours of your images a lot, then there’s actually a really useful feature in the software. You can create your own custom colour profile. This is sort of like being able to adjust the calibration like you can in Lightroom only it works in a different way. 

I’ve come across a few interesting tidbits-bits of information over the past week that I wanted to share, but none of it was long enough to put into individual blog posts, so I thought I’d compile it all into a singe compilation. This is pretty random, but anyway.

A while ago I wrote about my current workflow for processing Fuji files, and how I’ve simplified it recently. However, it was important to note that the way I work isn’t necessarily for everyone. A lot of it comes down to personal choice. I still get asked all the time by people as to which application they should use, and this is a tough question to answer because so much of it is down to personal choice. With that in mind, I wanted to see if I could break it down and come up with some methodology for helping people decide. So here is what I’ve come up with. It's not perfect, and as always, my best advice is to try different applications and see what works best for you.

There wasn't much announced in yesterday’s WWDC keynote targeted at photographers, apart from some new search suggestions and ways to share in Photos. There was, however, a couple of features in the MacOS finder that could actually prove quite useful. Those are the new gallery view and EXIF information in the finder.

Sometimes, it’s all too easy to get a bit too caught up in getting the perfect shot, or trying to live up to some expectations that you set yourself when out shooting. I do this all the time, and sometimes, I perhaps take photography too seriously. This is fine when its work related or for a serious project, but it's also important not to lose sight of the joy of photography. Sometimes it’s good to shoot something for the fun of it, and not be too worried about the outcome. 

I discovered the other day, quite by accident, that my Fuji X-Pro 2 is two years old this week. Tomorrow in fact. What a few years it has been. I’ve had ups and downs with the camera, but it’s also been good to me. Writing about it and processing Fuji files has undoubtedly made a name for me in certain corners, and I probably wouldn’t be doing what I’m doing today if it hadn’t been for buying that camera.

Today, Fuji launched the newest camera in its lineup, the budget conscious X-T100. Its kind of a cross between an X-A5 an X-T20, and I have to say, I think this is a really interesting camera. It gives you a well-equipped body, with a high-quality EVF but with a Beyer sensor instead of X-Trans. This means that you don’t have to worry about any changes to your workflow to accommodate the idiosyncrasies of working with X-Trans files, but still, have all the other advantages of a Fuji camera.