Thomas is a professional fine art photographer and writer specialising in photography related instructional books as well as travel writing and street photography.
All in Film
The most recent version of Capture One added a rather interesting new toolset: the ability to work with film negatives. The software now includes the ability to work directly with scanned negatives and handles the conversion process directly in Capture One. This is specifically designed for camera scanning, and is similar to “Negative Lab Pro” for Lightroom, although there are some differences.
I’m delighted to share some information about a project I’ve been working on for a little while. As long time readers might know, I used to have a selection of Lightroom presets available back when I ran my own download store. Since I closed that in favour of selling on Gumroad, I have only really kept my black and white presets, T-Pan available. I had wanted to bring some of my other presets back for sale again, but when I looked at them I realised that many of them were quite dated. I started by looking to see if I could bring some of these old presets up to date, but I ended up with an entirely new set!
Mastin Labs, which is a popular creator of Lightroom Presets has announced a new style pack for Capture One bringing their Kodak film emulation presets to Phase One’s software.
I recently moved house, and doing my best attempt to Marie Kondo my office during the move, I ended up finding some things that I thought were long gone. One of which was a collection of PhotoCDs from 1996. The PhotoCD format is long since dead, so I wondered if I would have any chance at finding a way to use the files. After a little digging, I was able to get them to open! Here’s the full story…
I recently came across a set of negatives that I took about a year ago, and I realised that I had never properly scanned them. This gave me the opportunity to record the process, something I had wanted to do for a while, but had never gotten around to it. So, in this video I show you the process of scanning film using a dedicated, if somewhat old, film scanner.
In this video, a follow up to my previous one on shooting street photography on film, I look at how I process the film after scanning in Lightroom.
It’s been little while since I’ve posted a Street Photo Diary, and for this issue, I’m doing things a little differently. I’ve been shooting some film recently, and I also found some undeveloped film that I shot back at the start of the year, which also turned out to be some street shots.
I wrote a post yesterday where I compared my new T-Pan for Lightroom Presets , applied to some Fuji X-Pro 2 images, against some real film. It wasn’t meant to be taken too seriously, and wasn’t meant as a scientific comparison. I wanted to show, that I could mix images from both together in a single story and they would work together well. However, someone suggested that It wasn’t a fair comparison, because the film I was using Ilford XP2 wasn’t “real” black and white film.
I’m really proud of how well my T-Pan set of Lightroom presets turned out. I’m not just saying that as a shameless plug. I set about creating something that would work well to emulate black and white film, and I think the results work really well. I’m sure it’s not perfect. It’s not a full simulation as such, but rather an artistic interpretation, but I think it comes close. To see just how close I decided to do a little experiment
I’ve been shooting some film again recently. I really do like shooting film, and I would shoot more were it not for the down sides, of cost, and scanning and so on. Being a perfectionist when it comes to image quality, it frustrates me that I can’t get film scanned properly without doing it myself, and being a busy professional, it frustrates me to have to take the hours it takes to properly scan film.
The has been several photography related announcements at CES this year, but I think the one I am most excited about is the news that Kodak is going bring back Ektachrome. Ektachrome is a slide (positive) film made by Kodak since the 60s and is generally considered to be one of the best slide films that you could buy at the time. It was discontinued by Kodak in 2012. If you’ve seen any issue of National Geographic during that time frame you’ve probably seen Ektachrome, as it was the film of choice for many National Geographic photographers.
In my recent rediscovery of film shooting, I decided to try out a roll of Kodak Ektar 100. I've never shot with this film before, but it gets a lot of good reviews online, and having used and scanned a roll, I can say that they're not unfounded. I headed out on a sunny(ish) autumn day in Dublin and took some shots around the city using my trusty Eos 5 with a 17-40 f4/l lens.
In the first part of this series, I posted some of the images that I had recently taken using colour film. I had left some black and white rolls in to be developed too, but they take a bit longer, so I couldn’t share the photos at the time. Well, they’re finally back, so read on for the results of the rest of the experiment.
Last week I posted about some of my recent adventures shooting film, where I talked about shooting some colour negative film with my Canon EOS 5. the other day I was walking past the same spot where I took one of those shots, and as I had my Fuji X-Pro 2 with me, I thought it would be fun to take the same shot again to compare the two.
As I mentioned in a recent post, I’ve recently been shooting more film. It’s been somewhat of a therapeutic exercise, although, the length of time it’s taken me to scan the film has been somewhat frustrating, but more on that in a minute. It’s also been a bit of a learning experience, both shooting and post-processing the film. For this part, I’m going to look at some of my recent attempts at shooting colour negative. I have some black and films white left in with the lab for processing, and I’ll talk about that in part 2.
As I mentioned on my main blog recently, I've been scanning in lots of my old negatives and slide film recently. One of the patterns that's emerged from looking at my old shots is that I had an interest in Street Photography even from the early days of my photographic interests. Of course I didn't know it was a genre called "Street Photograhy" at the time. I just like taking pictures around the city. Most of these were taken between 15-20 years ago, on my trusty Canon Eos 5.
One of the things that people love about their Fuji X-Series cameras is the film simulation modes and the rich colour that they give out of the camera. Many of these film simulation modes are based on actual films that Fuji makes, or used to make. Provia, Velvia and Astia are slide films, while the new (in the X-Pro 2) Acros is based on the Neopan Acros film. Lately I’ve been scanning some of my old film in and I realised that I have photos taken with some of these films, so I thought I’d share what the real thing looks like.
After being without it for a while, I finally managed to get my trusty old film scanner back out of storage recently. I had been thinking about shooting more film lately, but I had been kind of disappointed with the results that I was getting. I had put my film scanner in storage some years ago when I had moved house, so I was relying on scans from the Lab. Lab scans done at the time of processing are very poor, especially compared to a dedicated film scanner. So, before I gave up on the project, I wanted to remind myself of what a good quality scan could be like, so I retrieved my old film scanner and I think the results will speak for themselves.
