Last week I posted some black and white photos from my time in the little town of Heppenheim in the German countryside. I had taken a lot more photographs while I was there and I’ve finally had the time to go through them to my satisfaction. The residents of this sleepy little town clearly lit as you can see a real sense of pride in the way the buildings are adorned with flowers and decorations. Photos were taken with a Fuji X-Pro 2 and Nikon D700

One of the things that people love about their Fuji X-Series cameras is the film simulation modes and the rich colour that they give out of the camera. Many of these film simulation modes are based on actual films that Fuji makes, or used to make. Provia, Velvia and Astia are slide films, while the new (in the X-Pro 2) Acros is based on the Neopan Acros film. Lately I’ve been scanning some of my old film in and I realised that I have photos taken with some of these films, so I thought I’d share what the real thing looks like.

In the foothills of the Wicklow Mountains, just outside of Dublin, is a beautiful old 18th century estate and gardens, called Powerscourt. The estate features a restored mansion and some pretty impressive stately gardens that are kept in perfect condition. The house and gardens have been used in several movies, most notably the Count of Monte Cristo. Images taken with X-Pro 2 and 18-55mm f/2.8-4 Lens.

After being without it for a while, I finally managed to get my trusty old film scanner back out of storage recently. I had been thinking about shooting more film lately, but I had been kind of disappointed with the results that I was getting. I had put my film scanner in storage some years ago when I had moved house, so I was relying on scans from the Lab. Lab scans done at the time of processing are very poor, especially compared to a dedicated film scanner. So, before I gave up on the project, I wanted to remind myself of what a good quality scan could be like, so I retrieved my old film scanner and I think the results will speak for themselves.

Apple's Photos App on the Mac (and iOS) has some interesting and unorthodox tools for adjusting your images. The Light and Colour sliders are interesting ways to alter your photos, and even on their own, the smart algorithms which adjust the individual parameters of a collection of adjustments, can often lead to interesting results. If you want more control however, you can tweak the individual parameters in the Light and Colour section separately. In this short post we're going to take a look at the controls in the Colour adjustment group.

Yesterday Adobe released a major update to many of its Creative Cloud Apps, including Photoshop. The updates include a number of new features, and further integration of Creative Cloud Libraries and Adobe Stock. Photoshop in particular includes some interesting new features.

Apple's Photos app for the mac has some nice adjustment tools, and while it may not be the most robust or professional level application, you can achieve some nice results in it. Unfortunately, if you go through the process of creating a nice look on your images, there's limited ability to save that look independent of the image. There's no way (currently) to save presets, and there's no equivalent of Lightroom's previous button.

Apple teased some interesting developments at last week's WWDC that will have a particular impact on photographers. It showed off some impressive scene and face recognition technology running on iOS as well as some new ways to organise your photos. Perhaps the biggest new feature though was one that wasn't really unveiled during the keynote. It snuck into the background of a slide, which got keen observers excited, and was later confirmed to be true. IOS is getting the ability to capture RAW photos, directly from your device’s camera.

Last week I was travelling in Germany and I got to spend some time in the beautiful town of Heppenheim. Heppenheim is a little town about 40 minutes outside of Frankfurt and is filled with some really pretty medieval buildings. I had been there last year too and I had gotten some nice shots, but this time I was trying to do things a little differently, and so I was focussed more on the details. Images were taken with the Fuji X-Pro 2.

There are lots of ways to get images into and out of Lightroom. For importing, you can import from the import dialog box, or by setting up the auto import., or by synchronising an existing folder. For outputting, you can export via a variety of settings, or use one of the publishing plugins in the Library module. But what happens when you drag and drop images into or out of Lightroom?

I received a very generous and cool present from a good friend of mine for my birthday last year. It's a Russian Fed 2 range finder camera. My friend is a collector and I've always loved these old Russian cameras, so I was chuffed to get my hands on one. 

I'm travelling at the moment, so I haven't had a chance to do any updates on my X-Pro 2 diary series. I am actually shooting with the camera while I'm away, so I will have some more reports when I get back and have a chance to properly process my images. In the mean time, before I left, I put together a collection of my favourite shots that I've taken withe the X-Pro 2 so far.

Here's a quick tip for Affinity Photo users. If you're used to photoshop, then you've probably used the warp functions in the transform tool. This goes by many names. Coming from the video world, we often referred to it as "corner pinning" but you may also know it as perspective distorting, or tapering or something like that. Anyway, in Photoshop it is part of the free transform tool, however in Affinity Photo there is a different way to access this functionality.

A while ago I was publishing another blog for Lightroom, called "The Lightroom Diary" and at the time it had become too much trouble for me to post to both that and this, my regular blog. So I shut it down and consolidated all the Lightroom posts here. I said at the time that I might start it back up again, and so now I have.

An interesting topic came up for discussion recently between some colleagues. We were talking about how nice it would be if Lightroom let you sync projects between a laptop and a desktop, and someone suggested that you could just put your catalogue on dropbox and sync it that way. If you google this there are lots of tutorials for various ways to set this up, but in my opinion, while that might sound like a good idea or a simple solution, it's something that I personally would avoid doing, and here's why.