I’ve been publishing this website in one form or another since back in 2011. That’s fourteen years ago! Over that time, I have changed a lot, the world has changed a lot, and this website has…well, changed a bit, but frankly not enough. The amount of time I’ve spent posting here has consistently dropped off recently, and I realise that at least part of the reason is that I kind of hate this website now. I know that’s quite a strong response, but it’s true. Well, mostly.

I was playing around in Lightroom and Photoshop the other day, and I was trying to do something totally different, but in the process of experimenting, a brainwave hit me. I was thinking about the new Chromatic Shift effect in the recent Nik 9 release, and wondered what it would be like through 3d glasses. Then it occurred to me, what would happen if I combined it with the depth map? So I went on to Amazon, ordered some 3d glasses, and when they arrived 2 days later, I set out to try this technique out. It actually worked - sort of. And so, of course, I made a video!

I was chatting online with fellow Irish photographer David Cleland, and he told me of a rather unfortunate situation that has happened to him. I’ve been following David for a long time. He was one of the first people I knew who was embracing the Fujifilm ecosystem in the early days. He is actually a former Fujifilm X-Photographer, and you may know him through his website, FlixelPix. Unfortunately, through a series of unfortunate events, David has lost control of that domain, and now has a new website where you can find his work.

Capture One has released a new beta version of the software, that adds a much requested feature. The new release adds AI noise reduction to the photo editing application, and while currently only in Beta, it looks promising.

I’ve had my Fujifilm X-E4 for a long time now, and for the most part it’s a great little camera. I’ve used it as my main “lightweight” travel and walk-around camera for years now. Any time I want to bring a camera with me and I don’t want to lug my Canon R6II, I throw the Fujifilm in the bag. I had originally bought it to replace my ageing Sony a6000 for street photography, but that never really panned out. Mainly because I didn’t do street photography as much any more, but also, an annoying bug in the camera made it difficult to use with my style of street photography. But I finally found a solution.

This is one of those things that you might only ever come across once in the blue moon, but when you do, it’s useful to know how to fix it. If you’re shooting with a wide-angle lens, something like a 24mm or wider, and you have people at the edge of the frame, they can be distorted. This is especially true when shooting in portrait orientation and looking up. Like I said, this is a very specific situation, and it’s only by chance that I knew how to fix this.

Last week, Blackmagic Design announced the release of the beta version of DaVinci Resolve 21. One of the new features of that release took everyone by surprise: the software would now support photo editing. Resolve 21 now has a photo page which lets you work with RAW and non-RAW photos, with RAW support from a variety of manufacturers. Not only that, but you can use the full (almost) colour and Fusion pages with your still photos for complex colour grading and image editing. It’s a pretty big deal, although there are still quite a few limitations in the current version.

DXO has just released the latest version of their venerable photography plug-in suite. Nik Collection 9 adds a whole host of new features, including some across-the-suite changes and some new filters within the individual applications. There are some very useful new changes, including AI and depth masking, as well as blend modes in some of the applications. I had access to the beta version for a few days, and here is my first look at the new suite. There is actually quite a lot going on in this, so I’ll do my best to cover everything, but I may have missed a few things.

Adobe’s latest Lightroom Classic update makes AI tools like Denoise and Super Resolution far less disruptive by moving their processing into the background, so they no longer take over the app, which is especially helpful when working through large batches. The update also includes a handful of performance improvements, better assisted culling detection, PSB sync support, and other smaller additions.

It’s long been rumoured, threatened, and fantasised about, but Apple has finally put the Mac Pro out to pasture. While many people will either be unmoved by this or actually think that this is a good thing, personally I am a little sad by the retirement. As someone who has used Mac Pros, and their predecessor, the Power Mac, for decades, it really does feel like the end of an era. And, while I still think Apple could have done much more with the high-end Mac, I also understand that its time had come. It’s still sad, though.

The most recent version of Capture One added a rather interesting new toolset: the ability to work with film negatives. The software now includes the ability to work directly with scanned negatives and handles the conversion process directly in Capture One. This is specifically designed for camera scanning, and is similar to “Negative Lab Pro” for Lightroom, although there are some differences.

I wrote a blog post a long time ago about one of my biggest regrets, photographically speaking. This was the fact that I sold my Canon 5D Mark II and 24-105f4L lens. I always loved that lens, and I really regretted selling it. As I had moved on from Canon at the time, I never went and re-purchased it. But, for the past two years now, my main camera has been a Canon R6II and for the most part, I’ve been loving it. However, I had only been using the kit lens that came with it, the 24-105 F4-7.1. Which is a fine lens in its own right. But still, I longed for my old friend, or at least the updated version. Finally, a couple of months ago, in a sale, I was finally able to get the RF24-105 f/4 L. Unfortunately my reunion wasn’t as happy as I had hoped. In the end, I was quite disappointed, but there is a twist in the tale here.

Hot on the heels of the recent PureRAW version 6 release, DXO has also updated PhotoLab to version 9.6. This update includes the DeepPrime improvements that were seen with PureRAW and also a new feature for working with masks.

The latest beta version of Photoshop 27.5 has introduced an impressive new tool that lets you rotate photos of 2D objects in 3D space using AI. You can literally take a photographed object and rotate it on any axis. It’s like something out of a SciFi movie! I made a video to demonstrate it in action…