My posts and articles about Sony related Gear, Including the Sony A7 Series, The Sony A6000, and the Sony Nex-7
Long time readers will know that I’ve spent quite a bit of time talking about and coming up with solutions to the problem with Adobe’s calibration of Sony raw files. In particular, I’ve covered the A6000 many times, as it is a camera that I own and use regularly. In the past I’ve crated custom corrections by manually adjusting the calibrations by eye. As Datacolor were kind enough to send me their Spyder X Studio package to try and to review, I thought I would see if I could use the Spyderchecker to create a better profile.
Sony once again demonstrated its technological chops this week releasing a new version of its A7R series. The new model, the A7RIV brings the sensor to an impressive 61megapixels, and the new model also ads improved speed, autofocus and ergonomics. The fact that Sony can fit all this into a pretty small body is even more impressive.
I’ve written a good bit about Capture One for Fuji shooters, including a whole book about it, but I think it’s something you should consider if you shoot Sony too. While the advantages aren’t as clear cut as they are for Fuji shooters, given the problems that Lightroom has with details and Fuji RAW files, there is one big benefit for Sony Shooters - the colour is better.
Summer finally arrived in Ireland last week. It only lasted for a day or two, but we enjoyed it while it lasted! It’s actually been really cold so far through most of June, but we did have a few hot days, and so I headed out to see how people were enjoying the sunshine.
I’ve noticed something interesting in my web stats lately. I’m getting an awful lot of traffic from articles related to the Sony A6000. Considering that I probably talk about Fuji cameras and processing far more, it surprised me that this is the number one thing that people come to my site for from search engines. But that’s not all, on my YouTube channel, videos about the A6000 are also getting a lot of traffic. In fact my first Street Photo Diary video about the A6000 is my highest watched video of all time.
It’s time for a brand new season of my “Street Photo Diary” series. Following on from the photo essay I posted earlier, I set out to shoot some street photos with a Sony A6000 on a beautiful spring day in Dublin City. I also talked about the settings that I use and the importance of capturing "mundane" subjects when shooting Street Photography.
Yesterday Sony announced the latest camera in its A6K line, and for the first time, Sony has embraced the Vlogging market somewhat seriously. The new camera, the Sony A6400 is a mid-range entry in Sony’s APS-C lineup, which borrows some features from higher end Sony cameras as well as adding some new features of its own, all for a relatively affordable price.
I recently posted a video to my YouTube channel about processing some Sony A6000 images in Capture One. In the video I mentioned some sharpening and noise reduction presets that I use. These should work with any Sony RAW file, so even those from the Sony A7 series or the A9. You can find links to download in this post, as well as the video itself.
A few weeks ago I wanted to photograph something a little different, so we headed out to a place in North County Dublin where you can see Dublin Port from the far side, as well as watch the boats come and go. We timed the trip so that we would arrive as the sun begins to set, and I was only travelling light camera wise. I went equipped with the Sony A6000, with the only lens being the kit lens. I also had the Canon G7XII with me, which I had initially brought just to shoot video, but I ended up shooting stills with it too.
When I did a recent episode of my “Street Photo Diary” series of videos, in which I shot with the Sony A6000, I got a lot of questions about the lenses that I use. The two that I probably use the most when shooting street photography, str two Sigma Lenses, the 30mm and 19mm f/2.8. In this video, I go shooting with these lenses and give you a quick review as well as showcasing the process.
While Sony’s APS-C E-mount lineup is known for not exactly having an exciting lineup of lenses, people often forget that you can use full frame E-mount lenses on these cameras too. Having said that, many of Sony’s full-frame E-mount lenses are quite expensive and heavy or both. However, there are a few new third party lenses coming out that are designed for full frame but I can see actually working really well on cropped sensors too. One of those is the new 24mm Autofocus lens from Rokinon.
Lately, I’ve been getting a few emails from readers asking about the Sony A6000. In particular, people are interested in using the camera for street photography. I’ve shot street photos a lot with the A6000, and it’s one of my favourite cameras for street shooting. However, as I hadn’t shot this genre with it for a little while I thought I’d take it out for a spin, and record the proceedings as an episode of “Street Photo Diary.”
Sony has just announced the newest iteration of their full frame “A7” series. The A7III is the new “basic” model in the A7 lineup. This is the third generation of Sony’s first full frame mirrorless camera, and it feels like the line has reached a level of maturity with this new version. Sony may call it “basic”, but based on the specs it is anything but.
I’ve covered working with Fuji RAW files in Luminar before here on the blog, but I haven’t talked too much about using it with RAW files from other cameras. I had been going through some old images for another project, and I came across some images that I had taken with the Sony A7II which I had borrowed from a friend at the time. So, I tried some of the images in Luminar, and I was pleasantly surprised.
If there’s one complaint I hear again and again about Sony cameras, is that the colours are not pleasant. This is the most common complaint that people have when trying the camera. I have certainly grappled with this myself in the past when first using Sony cameras. The thing is though, it’s not strictly true. There isn’t really anything inherently wrong with Sony’s cameras though. The problem often comes from either a poor white balance or the calibration. If you’re shooting RAW and using Lightroom, there’s another issue: Adobe’s calibration for Sony files in Lightroom is awful.
I recently had the opportunity to borrow a friend’s Sony RX100. The original RX100 was revolutionary when it first came out and I have always wanted to try one. Having used it, I can see now why it was such a game changer at the time.
Sometimes I just like to go for a walk with my camera, without intent or purpose. Just to see what one can see. This was one of those days. I set out with my Sony A6000 and Sigma 30mm lens. I didn’t really have any goals in mind. I just wanted to go for a walk and hopefully find some nice images.
A while ago I attempted my first “blog” style video, where I filmed myself shooting street photography and editing the results. I’ve done another similar video and in this one I spent some time shooting with the Sony A6000 using adapted lenses. I used two different lenses on this shoot: an old Nikon 105mm f2/2.8 macro lens, and a Canon 17-40 f/4 L wide angle lens. I started in a local park shooting some flowers and then did a little bit of street photography too.