A little while ago I wrote a post on how I couldn’t understand Canon’s decision to remove 24p from their newest cameras. 24p is considered a standard around the world, and many of Canon’s cameras became so popular for video precisely because they allowed users to shoot in 24p, so it was inexplicable to me that the company had chosen to remove such a key feature. I wasn’t the only one, and there was a wide and loud backlash from users. Well, Canon listened, and has announced that it would be adding 24p to several recently released cameras via firmware.

One of the things that every photographer should have is a good tripod. Over the years I’ve collected many different ones, and I’m always trying different designs and different models. Some can be very expensive, especially if you want a good and light model. One of the problems that I’ve always had is finding one that is light enough to easily carry but sturdy enough to hold a good DSLR rig. So when K&F Concept wanted me to try one of their bigger compact models, I said, sure, why not!

One of the interesting things that comes with the Spyder X Studio Package is the Spyder LensCal. This is a special test chart that makes it easy to calibrate your lenses on a DSLR. Because of the way that autofocus works on a DSLR a lens can sometimes be off with its focus point, and when you focus on an object it can be either very slightly infant or behind the point at which you’re focussing. Most camera offer a way to offset the focus, and the Spyder LensCal provides a way to reliably measure and set it, at least in theory.

The kind folks at K&F Concept sent me a Tripod to review, and I thought I would have a bit of fun and play around with some moody product shots while doing an unboxing. I’ll have a review of the tripod in full soon, but for now, here’s a little gear porn. 

I’ve finally gotten around to something I should have done a log time ago. I have finally upgraded the graphics card in my Mac Pro. I had been owing the original and extremely bad (by today’s standards) ATI 5770 and its paltry 1gb or ram. Amazingly enough I managed to get by all these years, but it was becoming increasingly problematic, so I finally ordered a replacement.

I’ve had the Spyder X attached to my computer for over a week now, and for the most part there isn’t much one needs to do. It does continue to work away in the background though, so I wanted to give it some time to see what it was like to be using it over a longer period.

Having worked in both the print, photography and video industries for a long time, I’ve always appreciated the importance of having a properly calibrated display. It can actually make a huge difference, especially if you’re collaborating with others or having you work printed or so on. Over the years I’ve used a variety of calibration tools, and I’ve recently been trying out a new calibration system for my computer, the Datacolor Spyder X.

I’ve seen a few posts lately complaining about new mirrorless cameras not exposing properly compared to what the user is seeing in the EVF. It seems that in a few instances, people are judging exposure purely by what they’re seeing in the viewfinder. Even if you are also using the included light meter, you may still see a different result when looking at images later on your computer. I call this the EVF effect, and if you’re shooting mirrorless, it’s something you need to be aware of.

If you’ve been following his blog for a while You’ll know that I previously posted about wanting a 24-105 (in full frame terms) equivalent for Fuji for sometime. They previously previewed the 16-80mm lens a while ago and put it in the roadmap, but now they've officially announced the launch date and the full specs of it.

Sony once again demonstrated its technological chops this week releasing a new version of its A7R series. The new model, the A7RIV brings the sensor to an impressive 61megapixels, and the new model also ads improved speed, autofocus and ergonomics. The fact that Sony can fit all this into a pretty small body is even more impressive. 

Last week Canon launched the latest iteration of its popular G7X series of compact cameras. The Mark III looks to be a really great camera for vloggers in particular, adding a microphone input and 4K recording to a camera already popular with the vlogging community. Except for reasons that escape me, Canon has inexplicably removed the ability of the G7X III to record in 24p. This isn't the first time either. Canon seems to be systematically removing 24p from it’s lower end lineup, and I really can’t understand why.

I’ve been managing to keep an ageing 2012 Mac Pro as my main computer for nearly 7 years now, and from time to time its really been a struggle. Over the years I’ve added various upgrades and replacement parts, and its somehow managed to keep going, despite getting a tremendous amount of use. Lately though it’s been driving me mad. It takes nearly an hour to reboot - from off to being useable. The OS comes up in about two minutes, but by the time everything loads and settles down and is useable - it’s nearly an hour. This is partly because of a slow system drive, and partly due to years of bits and pieces clogging the OS

Last week Canon released a new version of its entry level DSLR (Previously the Eos 200D in Europe) and for the most part it flew under the radar, with the exception of the obligatory round of Canon bashing from the usual suspects. The thing is though, it’s actually a pretty capable little camera for the price, and if you’re starting out, especially if you want to get into Vlogging, it’s worth considering.

I’ve noticed something interesting in my web stats lately. I’m getting an awful lot of traffic from articles related to the Sony A6000. Considering that I probably talk about Fuji cameras and processing far more, it surprised me that this is the number one thing that people come to my site for from search engines. But that’s not all, on my YouTube channel, videos about the A6000 are also getting a lot of traffic. In fact my first Street Photo Diary video about the A6000 is my highest watched video of all time.

Yesterday Sony announced the latest camera in its A6K line, and for the first time, Sony has embraced the Vlogging market somewhat seriously. The new camera, the Sony A6400 is a mid-range entry in Sony’s APS-C lineup, which borrows some features from higher end Sony cameras as well as adding some new features of its own, all for a relatively affordable price.

While the rumours of Panasonic planning to release a new full frame camera were fairly rampant in the lead up to Photokina, I think the announcement of a partnership between Sigma, Panasonic and Leica took many by surprise. Once you think about it, it makes a lot of sense. Panasonic and Leica already have a long partnership, and Leica have an existing mount and system, so using that makes a lot of sense for Panasonic. Sigma also joining this group is interesting, because it means that there will be the potential for the system to expand much more quickly than it would with just one manufacturer.

With the new mirrorless camera options from Nikon and Canon there has been a lot of discussions about the various specs and pros and cons of these new cameras. Now that the initial craziness has died down a bit we’re starting to see reactions from those actually using these cameras, and for the most part the opinion from those with real world experience seems to be mostly positive. Something struck me though when reading some of the reviews, and also readings some comments on my own content, is that people may be missing the most important thing about these releases: Its about choice.

I’m busy working on a project at the moment, so I don’t have a lot of time to do a full write-up, but I did want to offer a few thoughts on the latest releases from Canon and Fuji. Canon launched its full-frame mirrorless system at an event in Hawaii yesterday, and today, Fuji announced the latest in its X-Series lineup, the X-T3.

Many (too many) years ago, at the beginning of my career in television production, I did a government-sponsored course of film and video production. It was how I got started, and I loved every minute of it. I wouldn’t be where I was today without that course, and I’ll talk about that more at some point in the future, but there was one really important lesson I learned in the first week, which has stuck with me to this day and applies across all fields. 

After the initial hype (and the corresponding outpouring of disappointment and scorn) lots of details have begun to emerge about Nikon’s new mirrorless cameras, and there are a couple of interesting tidbits that I came across. So here are a few notes in no particular order.