Do you still need to use X-Transformer? That’s the question that I’ve been getting asked pretty regularly since Adobe launched “Enhance Details” in Lightroom and Camera Raw. The answer might seem like it should be straight forward, but it’s actually a little complicated and it depends on a few factors.

One of the questions that I get regularly from readers and viewers is: “what the difference is between Iridient X-Transformer and Iridient Developer?” If you are considering one of these for converting X-Trans files, it may be confusing for some people as to which one to choose, so here is what I hope will be a simple guide to deciding which software to use.

In the past, I haven’t really covered the notion of using X-Transformer converted Fuji raw files with Capture One, because I didn’t really see the need. Capture One does a pretty good job on its own of converting Fuji RAW files, so I didn’t really see the point of going through the process of using X-transformer to convert the images first. However, I recently came across a situation where you may want to use X-Transformed DNG files, which I hadn’t thought of before, but now it seems obvious. 

I recently posted a video about processing a photoshoot that I did with my Fuji X-Pro 2, and in that video I used Iridient X-Transformer to convert the files to DNGs. I got a number of questions after posting this, with a number of people still unsure as to why one would want to use this software in the first place. I had thought that most people understood what the software did, and why you might want to use it, but as that doesn’t seem to be the case I thought I would clarify it a bit. So here is an extract from my X-Transformer book where I outline what the software does and why you might want to use it.

Perhaps it is the designer in me, but I love capturing images of details, whether it’s graffiti, street art, quirky objects, or simply bold colours and textures. Dublin city is full of these sights. I recently set out on a photo walk/shoot to capture a set of this kind of imagery for my Streets of Dublin project, and I decided to record the process of processing these when I got back to the computer.

I have updated my Iridient X-Transformer Guide with new information to cover the latest release. The new update of the guide (v1.2) covers beta 4 of X-Transformer, and includes details on using the new plug-in as well as the new options for preserving the film simulation modes as colour profiles.

Iridient Digital has released a new version of X-Transformer. The update, which was released last night has a number of improvements and new features, the most significant of which is a new plug-in for Lightroom which will make it easier to send files to the application. It also now has the ability to automatically embed which film simulation you used into the DNG as a corresponding colour profile.

In this video I take a look at using X-Transformer and Lightroom for Processing Fuji X-Trans files from an X-Pro 2. I walk through the process from the start to finish, and I demonstrate some of the techniques that I have in my eBook guide on using X-Transformer. 

I’ve written a few times now about using Iridient’s X-Transfomer to pre-process Fuji X-Trans files for use in Lightroom. As I have previously mentioned, there are lots of different combinations of settings that you can use, all of which will give you differing results. In my previous post, I thought that I had found the best combination, which was to apply a low level of sharpening in both X-Transformer and Lightroom, but since then, after more experimenting, I’ve come up with a different way of using it.

A while ago I wrote about Iridient’s new product, X-Transformer. It was only available for Windows at the time. I don’t have access to a Windows computer, but I did try it under parallels at the time, and I was impressed with the results. However, because it was just too clunky to work with under emulation, I didn’t do too much with it, as a mac version was promised.