This is a little trick I stumbled across the other day - almost by accident. I was working on editing a photo in Lightroom, and I had made quite a few edits, but I just couldn’t get it where I wanted it. I said to myself: “I wish there was a way I could just dial all the adjustments back a little”. Then it occurred to me - there actually is a way to do that. It requires a few steps and a little roundabout thinking, but it essentially gives you a way to adjust the overall amount of your adjustments with a single slider.

This video is a follow-up to the article I posted last week on the same topic. I had come up with a way to add haze using layers and a Luma mask in Capture One and I wanted to take it a bit further so I recorded a video showing you how to use the technique in a variety of situations.

In this video, I show you how to use Silver Efex Pro (and other Nik Plug-ins) with Capture One non destructively. I actually covered this a while ago in a blog post, but I wanted to create a screencast as its a bit easier to explain.

I finally managed to get out of our local virus induce containment this past weekend. We went for a walk by the sea, and while I brought my camera with me, I hadn’t really intended to take photos, so when I did, it was more of an off the cuff snapshot, than an intentional photo shoot. At first glance, the photos I took were pretty “throw away”, but after some playing around I managed to create a pretty good (in my opinion) image from something that started off as a dull and boring shot.

The term “pixel peeping” is one of those loaded terms in photography. Like “chimping” it has become an insult used by photographers to cast shade on others. Also, like chimping, the “evils” of pixel peeping have been blown out of proportion. The actual act of viewing an image at 100% on a screen actually has some valuable merits; however, it’s also essential to understand its value and limitations.

I’ve often gotten questions from readers as to whether there is any way to use Capture One Express in a similar fashion to Iridient X-Transformer, in order to produce a file that you can then import into Lightroom for further editing. While there is no direct way to do this in the exact same way it is with Iridient X-Transformer, getting these questions did get the cogs in my brain working! I wondered if there was a way one could use Capture One’s flat profile to achieve something similar. So, after spending some time experimenting, I’ve come up with a possible solution. Read on to find out more…

One of the bad habits that I’ve found myself doing a lot over the past few years, is being a bit lazy when it comes to post production. Even though I use a lot of different applications, I still find that I have gotten into this mental head space of always trying to do everything in the one application. This wasn’t always the case though. I used to work across multiple applications, usually starting in Lightroom, and then using Photoshop and maybe some plug-ins. 

One of the features of Aperture that I really miss from Photos is the way it handled Raw + Jpeg pairs. If you shoot both, Aperture gave you a great way of managing them. It would allow you to specify which you wanted to import, or it would let you combine them into a RAW + Jpeg pair. It would let you decide, at the time of import, which you wanted as the primary source and you could easily switch between them in the software afterwards. In Photos, while it still combines Raw + Jpeg pairs, there’s no control over the import process, it always sets Jpeg as the primary source and you can only switch between them one at a time in the edit mode.