It’s only been a short time since Adobe released Lightroom 14.4, but the next iteration is already out. I’m actually a little late on this - as it didn’t get much fanfare when they launched it. While this is mostly an under-the-hood update, the release does have a couple of new features and one big fix for generative remove.

The 14.4 update to Lightroom caused quite a degree of consternation with its changes to how the software handles Denoise, Raw details and Super resolution. While I prefer the new method of applying these tools, some people really preferred the old way of creating DNG files. One of the biggest complaints I received, which is totally valid, is that when batch processing Denoise with the new method, it no longer updates in the background. If you’re doing a lot of images, this can take over Lightroom for minutes or even hours. After a bit of trial and error, I have found a way to get this to work in the background. It’s not perfect, and it’s a bit of a hack, but it means you can process hundreds of images without it taking over Lightroom.

I’ve been exploring the challenges of processing Fujifilm X-Trans files ever since the original X-Pro 1, sharing tips, sharpening methods, and even an eBook along the way. Historically, Lightroom struggled with these unique raw files, demanding extra workarounds. But with Adobe’s latest update, that’s finally changed. Processing Fujifilm files is now straightforward, and it mostly comes down to one simple checkbox.

The recent release of Lightroom Classic 14.4 brought with it a major change to how denoise, raw details and super resolution work, and with that, some confusion. One of the most recurring questions I received since publishing a video on the new version last week was “how do you batch process Denoise in the new version?”. It’s pretty straightforward, and there’s actually several ways of doing it.

Adobe has released a new update to Lightroom Classic and the rest of the Lightroom and Photoshop family. In Lightroom Classic, there are a couple of significant changes in this release, including a change to how “Enhance” works and some new functions in the remove tool.

A while ago, I shared a video on YouTube on how to do SuperResolution and Denoise on the same image using Lightroom and Photoshop. The trick was to do Denoise first, then send the image to Photoshop, save it and send it back, and then you would be able to do SuperResolution. Unfortunately, in a recent update, Adobe has broken this workflow. I’ve been working on finding another workaround for this, and after a bit of experimentation, I think I’ve found the solution.

Adobe has just rolled out the latest version of Lightroom, introducing an exciting new AI-powered feature: Landscape Masking. This addition promises to revolutionize how photographers and editors work with landscape images by allowing not only the selection of entire landscapes but also individual elements within them. In this post, I’ll share my hands-on experience with this new tool, highlighting its strengths, quirks, and potential.

If there’s one thing that really annoys me more than anything else about Lightroom, it’s the halo effect you get when you use the clarity slider. If you haven’t noticed this before, I apologise in advance for pointing it out to you, because once you see it, you can’t unseen it. Once I figured out what it was I see it everywhere online. I’ve been on a quest to find away around it, and I’ve already posted a video about this before. Now I’ve come up with another potential solution to the problem. Or at least a partial solution.

In this super quick Lightroom tip, I’ll show you how to import Lightroom presets directly into Lightroom on your iPad, without the need to install them on the desktop version first!

Adobe has unveiled the latest update to Lightroom Classic. Most of the improvements are under the hood or behind the scenes type things, although there is one major new user facing feature…

In this video I show you a handy workflow tip to make it easier to reset your adjustments in Lightroom without reseting your Crop or Geometry edits.

I’ve just released my latest Lightroom quick tip video, and it’s a video version of a recent blog post I shared a little while ago, about the oft forgotten about global colour correction tool.

As we commence the new year, I am undertaking a virtual organisational process. As part of this endeavour, I am harmonising the pricing of my Lightroom Presets and Capture One styles on my Gumroad Store. Effective immediately, all products will be priced at a new, lower base price of €10.

In my latest YouTube tutorial, I demonstrate how to use the mask tool to create a custom vignette effect behind your subject, adding subtle drama to the background while preserving the subject's integrity. The video also shows you how to create a time-saving smart preset for future edits.

On rare occasions, you might encounter the need to update an AI mask in Lightroom, but unfortunately, there doesn’t seem to be a direct way to do so. For instance, if you use DXO Pure Raw and apply an AI mask to an image, since Pure Raw employs its own distortion correction algorithm, the mask may become misaligned when the file is returned to Lightroom. This issue can occur with any software that manipulates the raw file while preserving edits.