When you are working with RAW files in any software, an important part of the conversion process is sharpening. Sharpening must be done to compensate for the inherent softness that is a part of the raw conversion process. I’ve discussed this before, but there are times when you need to do additional sharpening on top of the RAW level sharpening. While some software separates the RAW sharpening pass, most just have the one set of overall sharpening controls. In Capture One, you can use layers to split your workflow when you need to do more creative sharpening.

I just wanted to say a quick thank you to everyone who purchased my new Capture One guide for Fuji shooters. I was taken by surprise by the demand, and for the first 24 hours I was afraid that my store wouldn’t handle the traffic. So a genuine and heartfelt thanks to everyone who bought a copy. 

Sony once again demonstrated its technological chops this week releasing a new version of its A7R series. The new model, the A7RIV brings the sensor to an impressive 61megapixels, and the new model also ads improved speed, autofocus and ergonomics. The fact that Sony can fit all this into a pretty small body is even more impressive. 

I’ve written a good bit about Capture One for Fuji shooters, including a whole book about it, but I think it’s something you should consider if you shoot Sony too. While the advantages aren’t as clear cut as they are for Fuji shooters, given the problems that Lightroom has with details and Fuji RAW files, there is one big benefit for Sony Shooters - the colour is better. 

Last week Canon launched the latest iteration of its popular G7X series of compact cameras. The Mark III looks to be a really great camera for vloggers in particular, adding a microphone input and 4K recording to a camera already popular with the vlogging community. Except for reasons that escape me, Canon has inexplicably removed the ability of the G7X III to record in 24p. This isn't the first time either. Canon seems to be systematically removing 24p from it’s lower end lineup, and I really can’t understand why.

I’m happy to announce that I’ve finally finished my new Capture One guide for Fuji shooters. Called “Processing RAW files in Capture One 12” - snappy title, I know! - It is written to provide Fuji shooters with enough knowledge to get the best results when working with Fuji RAW files in Capture One. It’s not a complete manual for Capture One, and while you don’t need to be an advanced user, you need to know the basics.

In case you missed it, I’m having a summer sale on all of my Lightroom Presets and on my Capture One styles. There was actually a little problem with my store and it wasn’t displaying all of my Capture One styles for some reason, but this is fixed now. There’s up to between 20% and 50% off on various presets and styles. Here are some examples:

Skylum has just released an update to Luminar Flex, the plug-in version of Luminar. The update brings the second generation of Accent AI filter to Luminar flex as well as a couple of other updates. Here’s what’s new:

If you are using both Lightroom and Capture One, there may be occasions when you want to try processing your images in both applications. This could be because you are still in the process of transitioning to Capture One, or you may just like using both applications. Whatever the reason, there are ways you can simplify the workflow of working with both applications, and in this post I’ll show you what to do.

In the latest episode of Street Photo Diary, I’m once again shooting with my favourite street photo camera, the Sony A6000. I ask if its still worth buying one in 2019 and head out to shoot on the first proper day of Summer here in Ireland.

Summer finally arrived in Ireland last week. It only lasted for a day or two, but we enjoyed it while it lasted! It’s actually been really cold so far through most of June, but we did have a few hot days, and so I headed out to see how people were enjoying the sunshine.

If you are using Luminar flex as a plug-in for Lightroom, then there are lots of different ways to activate it. However, personally I use a bit of a roundabout method, by sending the image to Photoshop first. In this post I’ll explain why, and what the steps are that you should use if you want to work this way too.

Last week Phase One launched another set of their own first party Style Packs. They are called “‘Pacific’ & ‘Infinite Peaks’ Latitude Style packs” and are designed by acclaimed commercial photographer John Schell and Fujifilm X- Photographer Bryan Minear respectively.

After an extended period of not being available through Apple’s MacOS App Store, Lightroom has made a return. The changes to the Mac App Store that came about when Mojave was released last year, allowed Adobe to bring the software back along with the return of several other high profile apps, such as Microsoft Office, It’s available now for any compatible Mac running 10.8 or later. It should be noted that this version is Lightroom Desktop (I.e. the version based on the mobil eversion of Lightroom) and not Lightroom Classic. 

Ever since Adobe introduced the new “Texture” slider in Lightroom, and Capture One, I was curious to see if I could do something similar in Capture One. After a little experimentation, I was able to create a similar effect. In this video I show you how!