In my most recent Photo Journal post, I talked about my trip to Berlin back in March of this year. I had previously promised that I would make the presets I used to create the “Berlin” look on some of these available, so here it is in the post below.

As we commence the new year, I am undertaking a virtual organisational process. As part of this endeavour, I am harmonising the pricing of my Lightroom Presets and Capture One styles on my Gumroad Store. Effective immediately, all products will be priced at a new, lower base price of €10.

I’ve finally done it! My first new set of Lightroom presets in nearly five years are now available. As I mentioned in a couple of previous posts, this took a lot of work to get out the door, mainly because I haven’t done one of these sets in so long, but I’m pretty happy with the results, and I hope you will be too!

I’m delighted to share some information about a project I’ve been working on for a little while. As long time readers might know, I used to have a selection of Lightroom presets available back when I ran my own download store. Since I closed that in favour of selling on Gumroad, I have only really kept my black and white presets, T-Pan available. I had wanted to bring some of my other presets back for sale again, but when I looked at them I realised that many of them were quite dated. I started by looking to see if I could bring some of these old presets up to date, but I ended up with an entirely new set!

When you import ProRAW files into Lightroom, it defaults to using the Apple ProRAW colour profile. The colours on this are…let’s just say, they’re not great. It makes it look like it would if you had just shot it normally and not used ProRAW. In particular, shadows seem pushed too much, and highlights have a weird yellow tone. No problem, just switch to one of the Adobe colour profiles, I hear you say. This is where the weirdness comes in. If you switch to the Adobe profile, it will be significantly under exposed.

Adobe has just announced its June photography updates, and this includes new versions of all versions of Lightroom as well as Photoshop and Camera Raw. In this article, I’m only going to be focusing on Lightroom Classic, which is now at version 11.4. This release actually has quite a few new and improved features for a point release, and I’ll outline the key new features in the post (and video) below.

This will probably be my last day blogging before Christmas, so I wanted to finish off by giving something back. As I had been working on various projects throughout the year, I have been creating and experimenting with various Lightroom presets, and I ended up with quite a collection. I had originally offered these to Patreon members, but as I’ve shut down my Patreon channel for now, I didn’t want them to go to waste, and so you can download them here.

One of the interesting new features added to the latest version of Lightroom is the ability to create ISO adaptive presets. What this means is that you can create presets that will change their settings depending on the ISO of the image to which they’re applied. Creating these is actually pretty straight forward, but there are a few things you should consider.

I got an interesting question from a Patreon supporter the other day, and I thought it was important enough that I should write about it. The person wanted to know why people use presets more in Lightroom compared to Creative Profiles, and why Lightroom’s Creative Profiles aren’t more common. While I don’t have any definitive answers to this, I do have some theories, so read on. I’ll also outline how to use profiles and how to create them.

Since VSCCO Film was discontinued at the start of this year, I’ve been looking for alternatives to recommend to people who want to create a realistic film effect. While I do have some film like presets of my own, they are mostly designed as an artistic interpretation of film. For those looking for accurate and highly regarded film simulations for Lightroom, there are a couple of solutions.

At its simplest, Styles and Presets in Capture One may just seem like a variation of what would be Develop Module presets in Lightroom, but they offer a number of distinct advantages. Getting to know how to create, manage and work with styles and presets can be a significant workflow enhancement in Capture One, and so what follows is an extensive guide to one of the software’s key features.

I’ve released a minor update to two of my Capture One style packs in order to simplify the installation process. Previously they needed to be manually installed which was a bit of a chore, but now they can be installed simply by double clicking on a file.

For the longest time I wasn’t a huge user of Lightroom mobile, but that all changed when I upgraded to the iPhone XR and I started using Lightroom’s camera more and more. Now I use Lightroom mobile a lot more than I used to. Having access to your presets on the software can really help your workflow, but if you primarily use Lightroom Classic on the desktop, they won’t be synced automatically so un this post I’m going to show you a quick way to get your presets across, without too much fuss.

Just a quick update on yesterday’s post: FilmLUX 3 is now available from my digital download store. FilmLUX 3 is a set of presets for Lightroom 8 or later and Photoshop CC 2019 or later. It was handcrafted by carefully studying the properties of various film stocks and creating my own version. It is designed to create a colour film look that is inspired by scanned film, although it isn’t intended to be a direct emulation of any particular film stock, but rather my own set of “virtual” films. 

For the past few versions of Lightroom, Adobe has continued to refine the way Presets work in the develop module. In 8.1, there is yet another change, which may affect the way some of my Presets show up or work in Lightroom. Don’t worry though, most presets still work fine. 

One of the many things I like about Capture One, is the way you can create some really nice monochrome images with it. I’m not sure what it is about the software, but whatever is going on behind the scenes gives black and white images a really rich black look to them. It was this that caused me to create my first set of Capture One styles: Silver Lux. 

Adobe recently introduced a new feature for the mobile version of Lightroom CC that people had been requesting for a long time, and that is the ability to use presets. What’s more, they also added preset syncing between the desktop and mobile versions of Lightroom CC. You can now use all of your Lightroom presets, and profiles on your mobile device, and the process is fairly simple. You will however need to use Lightroom CC on the desktop. You will also need a creative cloud subscription.

A few weeks ago when I launched Alpine for Lightroom, a few people wrote to me asking for a Capture One version. After some work and experimentation, I’m happy to announce that I now have a version of Alpine for Capture One. So what is Alpine? In a nutshell, Alpine for Capture One is a set of “Styles” that is designed to give your RAW images a stylised look. The idea for Alpine was to work with images of forests and mountains, to give the “woodsman” style of effect that is popular certain outdoor magazines.