Thomas is a professional fine art photographer and writer specialising in photography related instructional books as well as travel writing and street photography.
All tagged Photoshop
The latest beta version of Photoshop 27.5 has introduced an impressive new tool that lets you rotate photos of 2D objects in 3D space using AI. You can literally take a photographed object and rotate it on any axis. It’s like something out of a SciFi movie! I made a video to demonstrate it in action…
I was recently in Edinburgh, Scotland for a week, and while I was there I had been planning to spend quite a bit of time out taking photos around the city. Unfortunately, the weather had other plans. It was pretty much raining and cold the whole time. And when I say cold, I do mean cold. But more than that, it was really dark. Like, twilight dark the entire time. So eventually, I forced myself to get out and shoot, regardless of the result, and said result wasn’t great. However, when I got back to my computer, with a little editing I was able to get a pretty decent image of the castle. As there was such a difference between the result I got and where I started from, It thought It would make a good tutorial video, and so here you go!
One of the mildly frustrating things about shooting film in 2025, apart from the cost, is getting your negatives scanned. Most labs will scan your film at the time of development, but the results are pretty terrible. They usually give you very low-resolution scans, with horrible noise reduction and sharpening turned up to eleven. These scans are mostly useless for anything except for previews. I have tried upscaling them and processing them in the past, to make them at least suitable for social media posts, but generally to no avail. Even using super resolution in Lightroom, the results aren’t great. Enter a new feature in the latest beta version of Photoshop.
Adobe has just held its annual adobe MAX conference, and as part of the event it announced a slew of new updates across its product lines. This, of course included its Photography products, and all versions of Lightroom, Camera Raw and Photoshop have been updated. In this blog post, I’m going to cover a few of the key new features across the lineup.
Ever since Adobe switched to a subscription model many years ago, people have loved to hate them. They often don’t do themselves any favours in the PR department, either. And hot off the heels of their recent PR disaster with the badly worded revisions to their Terms and Conditions, they’re now being sued for the way they handle subscriptions bye the US government.
I was recently visiting a somewhat famous waterfall not too far from where I live and of course I took some photos while I was there. We went primarily to enjoy the fresh air and scenery, so it wasn’t a specific photo shoot, but even so I got some interesting images. One worked out particularly well, and I thought my process for editing it would make an interesting video, so here it is!
A little while ago I was going through some photos and I came across a cool shot I had taken in New York of a dog in front of a large window. Unfortunately it was ruined by the reflection of yours truly. Normally removing something like this would be quite time consuming, so I thought, why not try Generative Fill. Not only did it work, but it worked perfectly at removing the reflections and keeping the other detail. So I made a video to show you the process…
Unless you’ve been living under a rock, you’ve undoubtedly heard of Adobe’s “generative fill” for photoshop. The feature, which uses Adobe’s firefly AI engine to add AI-generated imagery to your photos or artwork directly in photoshop. Now that it is no longer test software, I wanted to share my experience, and address a couple of big issues with generative fill.
The Enhance function in Lightroom has been around for a while now. It was originally called “Enhance Details” but changed its name to just “Enhance” when the super resolution feature was added. For Fuji shooters, Enhance offers a way to get improved demosiacing inside of Lightroom without having to use third-party software. Using it on Fuji RAF files can provide significantly better rendering of detail in Fuji files, but it does come with some downsides.
I’ve had a few readers ask me about using Adobe’s “Super Resolution” with Capture One. I had thought that this would be a relatively straight forward process, but unfortunately it seems to be a bit more involved that I first assumed. I had speculated that you could just open a DNG file created with Super Resolution in Capture One, but for whatever reason this doesn’t seem to work properly (more on this below). So, while you can’t use the DNG files directly, you can still use a Tiff or PSD. The workflow is a little more convoluted than perhaps it needs to be, but in this post, I’ll outline my suggested way of working with Super Resolution and Capture One.
Ever since the most recent update (at the time of writing) to Photoshop included the new “super resolution” feature in Camera Raw there has been a lot of discussion, and an equal amount of misinformation about this feature. In case you missed it, “Super Resolution” is Adobe’s new method of upscaling a file using artificial intelligence to give a superior result to previous methods. There have been some wild claims about this online, including some claims that it doubles the resolution of your camera, and that you no longer need to buy a high megapixel system, as this is just as good. In this article, we will take a look at “Super Resolution”, discuss its actual usage case, and talk about some tips on how to use it.
Here’s a quick round up of some of the recent happenings in the world of photography software. Capture One announced that Sony A1 Lossless compressed RAW support will be coming soon to Capture One, DXO software is having a sale on NIK plugins, and Photoshop and Lightroom received some recent updates.
One of the tools recently added to Photoshop was a new AI-based sky replacement feature. Similar to the headline feature in Luminar, it allows you to replace a sky without complex masking. While sky replacement has gotten something of a bad name recently, it can actually be useful for quickly fixing an otherwise problematic image. In this case, I use it to replace an overexposed sky with a similar one and salvage a photo with a minimal amount of work.
A recent technology demonstration from Adobe showed off a new feature coming to Camera RAW and Lightroom: Colour Grading. The applications will get a three-way colour corrector similar to video editing applications, and a feature that has been present for some time in Capture One.
I almost missed this from the announcements yesterday, but Camera RAW in Photoshop has gotten a big makeover. It now behaves and looks a lot more like Lightroom. Some of the old frustrating behaviours are gone and it now supports high resolution displays properly.
DXO has just released a major update for its Nik collection of software tools. The new version which is available now contains numerous upgrades, as well as an all new tool: Perspective EFX.
In this video, I use Photoshop to add some foreground interest to a Landscape image and correct an unbalanced composition. Part of my “Live Editing” session series normally for Patreon Members, I’m making this episode available to everyone on YouTube.
If you are using Luminar flex as a plug-in for Lightroom, then there are lots of different ways to activate it. However, personally I use a bit of a roundabout method, by sending the image to Photoshop first. In this post I’ll explain why, and what the steps are that you should use if you want to work this way too.
